It’s no accident that the band’s name sounds vaguely familiar — Lovespirals features guitarist Ryan Lum, late of goth faves Love Spirals Downwards, teamed with vocalist/instrumentalist Anji Bee. The name change isn’t gratuitous, either, for while Lum’s LSD work thrived on ethereal gloominess,
Windblown Kiss is going up, up, up. It’s a languid, shimmering pop album — yes,
pop — that’s far better suited to breezy beach houses and billowing white linen curtains than introspective poetry and gothic architecture.
Bee and Lum have distinguished themselves with a truly elegant work that belies their youthful looks. It’s as polished and professional as most indiepop wants to be, and refreshingly free of the overwrought lyrical imagery favored by the doom and gloom set. Lum’s guitar work (he’s credited with an impressive array of six and 12-string instruments) is expressive and moving, while Bee’s vocals — in English, French, Spanish and German — are distinctive without being showy. Eden’s Sean Bowley adds additional guitar muscle, as well as Elvis-like male vocal counterpoints on a couple of tracks, and Doren Orenstein (Frecoe) provides a bit of sax, which contributes, for better or worse, to the disc’s intermittent New Age vibe.
There’s a little loneliness (“Oh So Long”) and darkness (“Swollen Sea”) — that’s the stuff that sells, after all — but it’s balanced by the overall happiness of the music. And is it my imagination, or is “He Calls Me” pretty much a Christian rock (or at least deity-related-rock) song?
All told, this is a satisfying, surprisingly upbeat effort that’s likely to cause a fair amount of upheaval among LSD’s fan base. Then again, perhaps the time is right for a romantic album that doesn’t have a Romeo and Juliet ending.
